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The 18i20 is the largest of the six Scarlett-line Focusrite audio interfaces, the smallest of which (such as the third-generation Focusrite Scarlett 2i2) are some of the best portable USB-powered designs available today. Jay CabreraĬheck Price The Focusrite Scarlett 18i20’s design The Focusrite Scarlett 18i20 is a surprisingly capable midrange audio interface with lots of bang for your buck. While the 18i20 has a few shortcomings indicative of its midrange cost, it can perform at a high level and save you some money if you’re open to working around the Scarlett audio interface’s limitations. Thanks to their similar I/O configurations, I was able to make a fairly straightforward comparison of the two units and explore the 18i20’s ability to integrate with my studio’s existing workflow. The two have a lot in common in terms of workflow and compatibility with external gear, but the Apollo x8 runs over double the cost of the 18i20.
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I recently had the opportunity to test a third-generation Scarlett 18i20 at my modest home studio by swapping it directly with my everyday recording interface, the Universal Audio Apollo x8. This combination of feature set and value, along with its overall build quality, make the third-gen 18i20 a seriously appealing option for producers and musicians running newly expanding recording studios and working on a budget. Weighing in at just 7.5 pounds and sporting an understated two-tone finish with streamlined knobs and buttons, the 18i20 sports eight microphone preamps and direct compatibility with production-level audio gear, among other highlights.
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The Focusrite Scarlett 18i20 is a sleek and rather unassuming midrange audio interface that manages to offer premium features at a price point half of what its direct competitors ask.